It will be five years after Pacific Rim when sequel Uprising finally arrives in cinemas, which in modern terms means it’s essentially a franchise jump-start. After all, the first movie was only a moderate success, but Legendary have big hopes for the follow

Engage in a struggle for dominance between three factions: Order, Conclave, and Revenant. You will not survive this war alone, and your faction will be your home in the world of Rend . Together you will build a stronghold to withstand enemy forces and protect your valuable resources and buildings. Only one faction can win this race toward victory, but all may l

Rift Herald’s Ryan Gilliam piece on the matter has exposed the rift between Riot’s practices and the awareness of their voice actors. The discovery was originally made on Twitter by a lawyer and fan using the handle @LimitlessCha

Frostkeep Studios, a newly formed indie studio comprised of seasoned World of Warcraft and League of Legends developers announced today the formation of the new studio as well as their first game as a studio. Rend is a hybrid fantasy survival game that will introduce RPG elements and various other game mechanics to the genre in ways never previously seen. Alongside the announcement of the new studio and game, we also get a new trailer and screenshots, which can be seen be

_ League of Legends _ , the long-running and massively popular MOBA, is made by game company Riot Games. Riot traditionally does not credit voice actors for their work publicly, and instead only acknowledges the talent after the actors themselves reveal their work. The gaming world was clued in to Faulkner’s work by a reddit post by a Spideraxe30 showing a Twitter interaction between Faulkner and another user. Faulkner, apparently unaware of Riot’s practice of crediting voice talent, coyly acknowledged his work on the game and lamented the lack of acknowledgement on Riot’s p

While these bizarre choices to keep certain games longer in the dark than others could be interpreted as Sony having faith in their first-parties to be big sellers without any additional marketing above and beyond the necessary, it instead tends to come across as ignorance at the clear bounty Sony has at their disposal. Fortunately, Sony’s mistakes during the past year have the luxury of being labeled as an “off-year” and can be completely disregarded as Sony continues to make plans for the next year in marketing. If Sony can reinstate a focus on E3 and PSX being the dates for fans to salivate at, and making sure their first-party titles can present something substantial in-between these six month gaps in at least one of the two events, as Sony has proven they can over the past few years, the publisher can return to being the giant to topple at some of the year’s biggest industry events.

At last week’s opening presser, despite the low expectations Sony had set for fans, the publisher still managed to fall below them, with only a handful of new demos and teasers to satiate an increasingly ravenous group of players after the past few disappointing months. Even seemingly obvious reveals , such as a God of War or Detroit: Become Human release date, or any footage whatsoever for Spider-Man, Ghost of Tsushima, or The Last of Us: Part II, were inexplicably left out, as fans were forced to sit through over two hours of developer interviews and several trailers that were debuted earlier this year, including the night before at the more hypeworthy strategy game reviews|https://strategynewsbase.com/ Awards. While this series of events would be more excusable if Sony’s 2018 lineup was relatively empty, their inability to capitalize on their packed lineup for 2018, one that arguably stands head and shoulders above the other big two in gaming at this point in time, is jaw-dropping, with no release dates for any of their seven big first-party titles slated for next year, despite several supposedly expected to arrive sometime in the next six months .

The new trailer features more of the classic tongue-in-cheek jokes, although the real highlight is the introduction of a live-action cat – remember, all these movies take place in the real world – dubbed Meow-thra. Brilli

Over the past few years, Sony has been able to maintain a consistent level of expectations for fans to set for themselves, with E3 and PSX being the two standouts to look forward to for the biggest announcements and updates, and smaller news pieces being shuffled in throughout the year. After a couple of noteworthy E3s, Sony’s middling press conference at this year’s event left a lot of fans underwhelmed and anxious for more. In a moment of seeming panic, Sony set forth a chain of events that pushed forward a few of their key PSX announcements, including the reveal of Sucker Punch’s Ghost of Tsushima, up to the Paris Games Week press conference, an event that, in the past, had rarely been used for major reveals such as those. Teased as the “second half of E3” , the Paris Games Week presser, while distinctly more filled with new trailers, also ended up being fairly standard and middling, leaving fans to wonder what Sony had left up their sleeves for PSX.